The decision by former University of Cape Town (UCT) Vice-Chancellor, Professor Mamokgethi Phakeng, to attend a Chris Brown concert has sparked a significant debate, especially considering her outspoken stance against gender-based violence (GBV).
With Brown’s history of alleged domestic violence and upcoming performance scheduled for December 14 and 15 at FNB Stadium, this situation has garnered much attention, particularly as it falls just after the government’s 16 Days of Activism campaign aimed at combating GBV.
Adding to the tension, Investigation Discovery is preparing to air a documentary highlighting Brown’s “history of abuse” later this month.
This context underscores the complexities surrounding the concert and its implications.
Defending the Decision
Prof. Phakeng found herself in hot water last week when she proudly shared her purchase of the priciest VIP package for Brown’s concert on social media.
“Chris Brown tickets secured. Hall of Fame seats, here we come!” she tweeted, revealing that the tickets cost over R5,000 each.
Given Brown’s notorious past—particularly his 2009 assault on then-girlfriend Rihanna and numerous allegations of abuse—her tweet led many social media users to accuse her of hypocrisy, pointing to her previous comments against GBV.
In response to the backlash, Prof. Phakeng reiterated her strong opposition to GBV, stating on Twitter, “I believe that those who perpetrate GBV should face the full might of the law without exceptions or leniency.”
She emphasized that her attendance at the concert does not conflict with her stance against violence.
Music vs. Morality
Prof. Phakeng elaborated on her perspective, arguing that enjoying an artist’s music doesn’t mean one condones their past actions.
“To suggest that enjoying a concert automatically aligns you with every past action of the artist is, at best, simplistic and, at worst, intellectually dishonest,” she explained.
She highlighted that “music is bigger than the individual” and that one can appreciate art while still holding artists accountable for their behavior.
She confidently asserted, “Attending the concert does not magically erase our moral stance on GBV.
It does not make us hypocrites.” For her, it’s simply a matter of enjoying music she loves, independent of the artist’s controversies.
Response to Critics
Phakeng had a pointed message for her critics, stating, “If you think boycotting this one concert is going to end GBV in SA, you are delulu, and unfortunately, I can’t help you.”
She further illustrated her point by mentioning the vast number of tickets sold, noting that it could translate to political seats in the National Assembly.
“Let’s direct that energy into genuine and meaningful activism against GBV in our country.
This cancel culture nonsense is so 2020,” she added, making it clear that she won’t be swayed by insults or negative comments.
“I’m going to the concert, and I need no one’s permission or support in this regard,” she stated firmly.
Ongoing Activism
Despite her decision to attend the concert, Prof. Phakeng assured her followers that her commitment to advocating against GBV remains unchanged.
“If you think attending will silence my voice against GBV, then I’m sorry to disappoint you again because I will continue to speak out against GBV and educate our young men on how to be decent, loving human beings,” she concluded.
Petition to Stop the Concert
In response to Prof. Phakeng’s statements and Chris Brown’s upcoming performance, a Change.org petition has emerged, amassing over 13,000 signatures.
This petition, initiated by the anti-GBV group Women For Change, calls on Minister of Home Affairs Leon Schreiber to revoke Brown’s visa and prevent him from performing in South Africa.
The petition articulates the argument that allowing an artist with a known history of abuse to perform contradicts the nation’s commitment to combating gender-based violence.
Women For Change is urging both the government and concert promoters to take a stand against providing a platform for those who have perpetuated harm.
Looking Ahead
As the concert dates approach, the tension surrounding this issue continues to grow, with ongoing discussions about the responsibilities of artists and the societal impact of their actions.
Prof. Phakeng’s case highlights the challenging intersection of personal choice, artistic appreciation, and the fight against GBV.
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